#Kineraw s35 kc neutral lut full#

#Kineraw s35 kc neutral lut full#

KineColor ™which gives full range output and somewhat lower contrast than Kine709 ™ for shooting projects were you would rather have a monitor viewable result and not need to use a monitoring LUT in your post production tools like you need to with KineLOG ™. By default the Kine709 ™ output results (using the 3D-LUT made by the camera) are set to ITU 601 limits.

The KineRAW™ cameras have live waveform and histogram displays to help you get the exposure accurate, and there are tick marks on the histogram for the 18% gray and 90% white card target values so you can always use those as a reference to a card or a white shirt and such to set the target exposure then make small adjustments using the zebras and monitor image to compensate for back light and cinematographers preference. Kine709 ™ which simulates the TV and Broadcast standard signal levels to make a broadcast ready image that does not require further grading if the in camera exposure was accurate. KineLOG™ which simulates the Cineon™ Log film density curve that Kodak ™ invented for use with their film scanners, you can take the KineLOG ™ results and open them in any standard work-flow that is currently working with 16mm or 35mm film scans and get ‘on target’ levels for 90% white and 18% gray when the camera expsoure has been made at the EI ISO assigned to each in camera LUT, that EI ISO is selected with the ISO button and displays on the camera’s viewfinder along with the monitoring LUT name to remind you which LUT you have selected. To become EI ISO adjusted and to make the colors bright and sharp the camera has many LUT loaded you can pick from, these include: Since the camera is a True RAW recording camera it has only its native ‘look’ which is dark because it comes from sensor directly.